Things I Learned from Jake Nickell’s Creative Mornings Session

Things I Learned from Jake Nickell’s Creative Mornings Session

I have yet more Creative Mornings notes. These are from Jake Nickell’s talk about the fundamental human need to make things.


Things I Learned from Jason Fried’s Creative Mornings Session

I love Creative Mornings. Creative Mornings is a monthly lecture series for creative-type folks. They take place all over the world, and they’re all available on Vimeo for free. That means you have no excuse not to watch them.

I wrote down some notes from Jason Fried’s talk a few months ago, and then never published them because I’m a wimp and second guess everything I want to put on this site. So without further adieu, here are my notes. You should go watch this and take your own notes too. Better yet, find a way to put some of these excellent ideas into action.


Thinking Is Most Important

How [an artist] works and the materials used are not so important. You may use oil or tempera; you may paint in tone, or you may use only line—that is irrelevant to your problem. How you think is most important.

Earl Oliver Hurst

BarCamp 2011 and Pushing Things Out the Door

This week I gave myself a personal challenge: Finally launch a new version of this site, moving over some posts from my tumblog in the process, and start writing again. And now here I am, a couple of hours of work later, and there is still work to do. I’m okay with that; I would rather iterate and work on something real than keep this bottled up and delay getting it out the door.

Next I will chronicle my Barcamp experience, either through sketch notes or an article. And either way, it will be posted here as I continue refining and working. There are still several things that need to be finished, but it’s running and alive. I hope you enjoy, imaginary person to whom I am writing.

It’s Not the Tools

In my junior year of college I took a watercolor class. People talked about two main things concerning this class. One was the teacher, an extremely skilled Chinese man with an awesome goatee, who some students feared and some students loved. The other was the cost of all the materials you needed for class: paint and brushes and paper, among other things. It was one of the most expensive courses to take.

I remember the lecture that our teacher gave us that first day of class, one that he referred to for the rest of the course. The crux of it was this: even though we invested in good tools for our painting, the tools themselves would not make our painting better. “The brush will only do what you make it do. You are in control of the brush, right? The brush is not in control of you?” If ever someone struggled with getting the technique correct, he would remind us sarcastically and humorously, and also right on point,“Oh, it must be something wrong with your brush. That’s why you can’t do it.”

I really was bad at watercolor. Like really, really bad. Like Highlander 2 bad.

It was hard to swallow for some people (I always thought it was kind of funny, even though I was terrible at watercolor), but this statement was simple and true. You control your tools. Your tools themselves will not make you better at what you do. You can have the most exquisitely made paint brush in the world, but it won’t make you a good painter. I do believe in buying good tools, and I think that quality in your tools is important—a computer that constantly crashes will get in the way of your work—however, they will not in themselves make you better. That is up to you.

Likewise, learning how to make cooler textures in Photoshop won’t make you a better designer, and buying a Mac and TextMate won’t make you a better programmer. Your ability to learn new things, to think critically about what you do and who you are, and to do things you already know better and better are what counts. Regardless of your craft, your skill rests in your own hands.

Write Postcards Again

I did not ask for a Google+ invitation. I intend to close down my Facebook accounts. I promise to write postcards again.

Erik Spiekermann

What Matters

The best designers and the best programmers aren’t the ones with the best skills, or the nimblest fingers, or the ones who can rock and roll with Photoshop or Vim, they are the ones that can determine what just doesn’t matter. That’s where the real gains are made.

Jason Fried